It will be accessible when you launch FCPX the following time. All you have to do to use FCPX editors is download the software. In this division, Color Finale 2 is the undisputed champion. Alternately, spend $149 once to get the full feature set of Color Finale 2 Pro. The base version of Color Finale 2 software costs $99 to buy. Numerous excellent Color Finale instructions may also be found on their YouTube channel. The nicest part about it all, though, is how easy Color Finale is to use. These resources offer a wide range of color options. Alternately, you might make your own LUTs and store them for use in later projects. Additionally, Color Finale can be shown the location of your computer's favorite LUTs for rapid application. LUTs are now much simpler to go through and preview. This makes it simpler for editors to isolate particular colors or sections inside film for intricate coloring.Īdditionally, with Color Finale 1, the LUTs browser has been improved. Masks are easy to handle and apply to video clips, and they have a great tracking capability. The masking and an enhanced LUTs browser are two of Color Finale 2's finest additions. Additionally, rearranging and modifying the layers is simple. The use of curves, vectors, color wheels, and HSL curves will be available to editors. Alternately, make an adjustment layer and apply it to your entire video. After installing it, Color Finale 2 will be accessible under "Video Effects." Simply drag and drop it onto the desired clips to use it. Compared to the default Final Cut Pro coloring tools, it offers a significantly more detailed coloring experience. Color Finale 2, the most recent edition, is incredibly potent. Therefore, Color Finale is something you should definitely think about employing if you're currently using FCPX to edit your video. It can only be used with Final Cut Pro X at the moment and is downloaded as a plug-in. We don’t work on Resolve products sorry.One of the best color grading and correction programs is Color Finale from Color Trix. But we do know Color Trix won’t be making a similar tool for Resolve. It’s great to see the Final Cut Pro architecture allowing for tools like this to exist, and do so at a reasonable price.Īnd what about that other inevitable question you may be asking? When will Resolve support Apple’s ProRes RAW?Īgain, a question for the suits and executives. That’s assuming Color Finale Transcoder carries all metadata through the transcode including timecode and file name. I would assume all of them with the hope that ProRes Proxy and LT are on the list as you could transcode to ProRes Proxy for offline editing and then finish in Resolve with the camera original Blackmagic RAW clips. I think it’s a very safe guess Color Finale Transcoder will transcode to ProRes but the question is to what flavors of ProRes. What are the format choices to transcode TO upon using the Color Finale Transcoder? Of course ProRes, but all flavors? Anything else? I asked that to the Color Finale folks via Twitter but as of this writing they haven’t replied. I’m wondering the details behind what you can transcode to. You can instantly preview the raw files plus adjust the settings of BRAW, ARRIRAW and CinemaDNG media in Final Cut Pro with the Color Finale™ Transcoder extension. And you can access the RAW settings before transcode. I think ease of use is the primary reason as there is something to be said for a workflow that stays put in one NLE. You may be asking: why would you buy a separate tool to transcode something like Blackmagic RAW when you could just use Resolve to transcode BRAW for free? We'll be adding more formats if demand is sufficient. It’s important to note Color Finale Transcoder isn’t just for Blackmagic RAW but also other unsupported RAW formats like ARRIRAW and CinemaDNG. You can join the beta now or preorder it for $45. While not direct import of BRAW it will be a Final Cut Pro extension that will facilitate much easier handling of raw media as you can transcode camera original RAW footage through the extension into a more FCP friendly format, presumably ProRes. While the true answer to that question is one only the suits at Apple and Blackmagic can answer the folks at Color Finale are introducing Color Finale Transcoder. One very common question on the internet is: When will Final Cut Pro X support Blackmagic’s RAW camera format?
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